For more information about film loans and our Circulating Film and Video Library, please visit. For access to motion picture film stills for research purposes, please contact the Film Study Center at. Motion picture film stills cannot be licensed by MoMA/Scala.
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All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at. At this time, MoMA produced video cannot be licensed by MoMA/Scala. MoMA licenses archival audio and select out of copyright film clips from our film collection. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). Organized by the Department of Media and Performance Art. The film was made in 2009, the same year that President Barack Obama chose to reopen the Statue of Liberty to the public on July 4, ending the monument’s nearly eight-year closure following the attacks of September 11, 2001. Static showcases and scrutinizes the statue, defamiliarizing one of the most iconic symbols of the United States through an intimate, agitated gaze at its surfaces. At times dominated by the roaring sound of the helicopter blades, the piece is marked by unease and uncertainty.
As suggested by the work’s title, the statue remains fixed, intended to be looked at from afar, even as the perspectives from which it is seen are subject to change. The film captures Lady Liberty both in detailed close-ups and from a greater remove. Static (2009) is a digital projection of a 35mm film shot from a helicopter circling the Statue of Liberty, on Liberty Island, set against the backdrops of New York City and New Jersey. His works amplify the corporeality of the projected image, investigating the human body and its limits through a rigorous engagement with the physical space of the viewer, the sonic potential of cinema, the history of film aesthetics, and the entanglement of documentary and narrative. Submit to: 2220 NW Quimby St., Portland, OR 97210.The artist and filmmaker Steve McQueen (British, born 1969) has been making film and media installations since 1992. Letters to the editor must include the author's street address and phone number for verification. Last week's cover story ("This Land Is Your Land," WW, April 5, 2017) misidentified the town of Lakeside, Ore., as Lakeview.
The group was actually the Central Oregon Veterans Council. Greg Walden's Bend office ("Mild Hogs," WW, April 5, 2017) incorrectly identified the group asked to act as security by Central Oregon Veterans Outreach. Last week's story on a group of bikers standing guard during a protest outside U.S. These rogue bikers are breaking the law, as well as attempting to suppress multiple constitutionally protected rights. It is not legal to act as security in Oregon without a license from the Department of Public Safety Standards and Training. "mspadorchard" Biker Group Provides Security for Walden I would be far more concerned about the charge of DUII, which is a real scourge of our society.
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